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My recent films have dealt with ‘cloud capitalism’ and its discontents, and the rise of the far-right:
In Lovely Blue (2022), I Am Sitting in a Zoom (2021); One Nation Under A Grave (2020) and The Game of Freedom (2025).
Dead the Ends (2017) was my first feature length film, one of a series of digital video works exploring the crisis of social reproduction post-2008:
Olympicfield (2009), Can Dialectics Break Gravity? (2014) and Matthew Noel-Tod’s film Bang! (2012)
I am currently working on a new music video, and created soundtracks for Melanie Gilligan (Crisis in the Credit System 2008, The Common Sense 2014), Maija Timonen (Aune, 2012), and Anja Kirschner (Moderation, 2016).
As The London Particular (with David Panos) I made videos exploring the gentrification and cultural ‘regeneration’ of London in the early 2000s: The London Particular (2003) and The Occupation (2001).
Other musical projects include Petit Mal, Antifamily, Snakes, and Traum, as well as the kpop video project 트Generation (with Soohyun Choi).
I am lecturer in Critical Studies on the MFA Fine Art at Goldsmiths, London and a (former) co-editor of Mute Magazine
Benedict Seymour’s films are held in the BFI archive